graphic memoir

notta is turning into a graphic memoir. it’s really rough though. maybe too much train of thought?
i’m kinda just writing pages as i figure out who i am.
maybe i will get a bunch of pages done and then realize what i want to say & how to say it.
so read with an open mind & open heart & not too much of an editorial gaze.

i’m also working the art out. these pages are different from the original four i did (check them out over on my notta not-a-boy page) as my art process has changed since i did them.

also! i have totally re-thought out my novel, chasing ghosts, that i have been working on these past bajillion years. it’s morphing into a serial killer cannibalistic roadtrip romp…so that’s going to maybe motivate me to finish it.

chasing ghosts

chapter three

We sit in a booth in some dingy, small town diner. A waitress brings our order as we sit in silence. She glances from one to the other of us. I think she wants to say something, but Guy has a pretty fussy look on his face. She’s a good waitress. She leaves our food and skedaddles. A burger with fries, two eggs over easy and toast, and a side salad with French dressing are sit in front of Guy. He is already sucking on the straw to a large chocolate milkshake with whipped topping and sprinkles. The waitress leaves me a BLT with a side of fruit cocktail. 

Realizing she has left without kissing his ass, Guy yells after her, “Hey! Can I get a Coke!” Then he starts wolfing down his burger.

“Her name isn’t ‘Hey.’”

“What is her name, Smartass?”

Her name is Irene.”

“Irene, huh?”

I say it quietly to myself. I know he hears, but he doesn’t say anything when I say, “And my name is Colleen.” I notice that our names rhyme, me and Irene, but I don’t point that out to him. I give myself some credit for not pointing out the rhyme. It all makes me smile, and I pick up the top of my sandwich to put mustard on it.

“What is that?” Guy asks in a way that makes me not want to answer.

I brace myself, “It’s a BLT.”

“Where’s the bacon?”

“I don’t like bacon.”

“Who doesn’t like bacon? Nevermind. Whatever. How ‘bout why would you order a bacon, lettuce and tomato sandwichif you don’t like bacon?”

The waitress returns and drops off Guy’s Coke. She looks at me, not him, when she asks, “Is everything okay?”

“There isn’t any bacon on her BLT.”

I shoot a glare at Guy and then offer a smile to Irene. “Thank you. Everything is terrific.”

Guy ignores me and says to our waitress, “Irene, what did you do with the bacon from her BLT? Who gets it? Am I still getting charged for that bacon?”

“I will go check on that for you, sir.” Irene turns and walks away. Like I said, she’s a good waitress. A smart one.

Guy eats the other half of his burger in one bite and says with a mouthful of barely chewed meat, “I don’t like her.”

“She can tell you’re not going to tip her.”

“What? I don’t look like a high roller?”

I shrug. “Whether you roll high or not has nothing to do with it. You’re a narcissistic sadist. And narcissistic sadists don’t usually tip well.”

“Sounds like a self-fulfilling prophecy to me. You don’t think a guy will tip well so you act all snooty to him. I suppose I could stiff her…if that’s what she wants.” Just like a narcissistic sadist to not even acknowledge I’ve called him a narcissistic sadist.

“She only gets paid like two bucks an hour. She lives off of her tips. Not that you care.”

“What? Are you an advocate for waitresses now…or maybe you are a waitress yourself?”

“I’m just saying you shouldn’t punish her for the system she works in.”

Guy sits back, looking down his nose at me. “One, Colleen, I’m not punishing her for the system she works in. I’m punishing her for being a snooty bitch. And two. You are a waitress, aren’t you?” He pauses here, trying not to grin. He is enjoying this too much. Narcissistic sadist. He pauses—to make me sweat a little—before he asks, “Do you wear a nametag? Do you keep pens in your hair and sweaty dollars down your cleavage?” Another sadistic pause before he goes in for the kill. “Does mother know?”

I don’t answer him. It wouldn’t do any good.

“That’s okay, sis. We all have to slum it sooner or later. Nothing to be ashamed of.”

“Don’t worry. I’m not ashamed of anything. And you know what. Not that it will shut you up or anything. But I really don’t want to talk to you anymore.”

Guy has done everything but lick his plate clean. He’s looking all pleased with himself. “Buck up, baby. I’m all you got right now. Looks like it’s my way or the highway.”

“I’ll take the highway.”

“Funny,” he says as he stands up. “Let’s get rolling.”

I don’t jump when he says jump. I don’t move at all. He doesn’t like it when things don’t go how he wants them to. He wants to make his grand exit, and I’m fucking that up for him. I don’t know what I’m doing. I just hate him right now. It won’t do any good. He will win, but I can at least piss him off. Still.

“This is not the time or the place, Collie. Let’s go.” He reaches down and grabs me by the arm to pull me out of the booth. I watch as some of the others turn to gawk. This makes it worse for me. Worse for everyone, probably. Sometimes I don’t care. But I probably should.

Irene tries to come to my rescue…or maybe she’s realized Guy is trying to leave without paying. “Hey!” she calls out. Then over her shoulder towards the kitchen, “Clay! Get out here!”

Hey and Clay rhyme too, I think as I let Guy push me out the front door.

“Just a minute, Irene,” Guy hollers back at her. Then, to me, with his bedroom eyes turned to snake eyes, he says, “You wait in the car. I mean it. Don’t fuck yourself here. Get. To. The. Car.”

He leaves me standing in the parking lot. I can see shadows past where the sun reflects on the glass windows. I hear angry voices. I almost go back in. But I can’t do it. I find myself walking to the car, closing my ears to the sounds that will only haunt me more. I put my earbuds in and turn my music up loud. “Come on Eileen” helps me to lose my brain to the thoughts that pummel me from all directions, my fears and my worries. But I still manage to note to myself that Eileen also rhymes with Irene…and Colleen.

what now?

i was thinking about how i am reluctant
to sketch more ponies
right now
even though i think
i do a good job of it
& it might have more mass appeal…
i think back to that art professor
who was all like
yeah
but what do you
really
want to be doing?

what
do
i
really
want
to
be
doing?

creating stories with my drawings
telling stories
crafting worlds
& characters
merging my art & writings
in the most perfect way
possible.

drawing these pictures,
i wondered, who are they?
what do they want?
what would i do if i set them
free?

break my heart gently

you know what?
i don’t need an editor because i fucking rock at grammar, etc
what i do need
is a test audience
readers
who want to read my novel
& answer a few questions for me
general feedback
like
do you like me…yes or no?
can you fit your fist through any of the holes
in the plot?
that kind of thing

my only taker so far is my younger sister aka my polar opposite. i am willing to let her read it because she does get me–at least sometimes. and we did come from the same place even though we took different exits (i was vaginal; she was a c-section; i ran away to become a fry cook; she went to college, etc….)

who else wants to read a better life through sock puppets? a darkly funny story of a runaway suicidal mom? yay!
just remember, in critiquing it for me…break my heart gently.

“break my heart gently” ink on watercolor paper. 9X12. suggested price: $45 to $75

a better life through sock puppets

i am still tweaking my novel.

i am still looking for an agent.

also, i would love to trade art for some editorial advice if anyone qualified wants to read it. it’s a quick read at like not quite 58,000 words.
(candice, your name has been dropped a couple of times…just email me if you have time & interest)

in the meantime, what does any novel need if not some illustrations! 🙂

ps. fun fact…though i have written 6 novels, this is the first one i have written in the 21st century using a laptop instead of a notebook, typewriter, or word processor. this will also be the first one to be published.

quixotic updates

i am working on this new ink on canvas tentatively titled “foxy.” i really like working on canvas & now that i am down to my last free canvas, i am thinking of buying more for future creations.
that bunny keeps hopping into my art lately. i have even started a children’s book starring him.
fun fact. after i wrote the text for said children’s book, i went to my sun porch, looked out the window, and watched three bunnies eating dandelions in my backyard. i stood & watched for at least ten minutes. if you have never watched a bunny eat a dandelion, you are totally missing out.

in other news, i went through all my journals looking for “fodder” for books & stories. i have decided to focus on one project at a time instead of being easily distracted & starting new projects without finishing old ones. after the children’s book illustrations are done, i will focus on finishing the text & doing illustrations for my novel, a better life through sock puppets.
i am trying to give myself credit for what i have achieved. i let myself be proud of the fact that i found so many random ideas & sketches worth working with! including the above gem from 2016.

so i am not moping. i am rebuilding that fucking tower & giving myself credit for doing a good job with it.
as they say in my home state of wisconsin–forward!

the narrative

“the night smelled of grapefruit–“

“Grapefruit?”

“yeah.”

“Really…grapefruit?”

“it’s my story; i can make the night smell any way i want.”

“But grapefruit is more of a morning smell.”

“maybe that’s the point.”

“I’m just saying.”

“what do you want? tangerine? clementine?”

“At least clementine is ambiguous…but why does it have to be citrus at all?”

“because that is what the night smelled like!”

“How about the night smelled of pine & fertile soil?”

“that is a completely different story.”

dialogue has always been my favorite part about writing. maybe because of all the voices in my head? this is a conversation i played in my head one night after i smelled a citrusy evening. i am also drawn more to works that contain more dialogue than description. waiting for godot was a favorite of mine. also rosencrantz & gildenstern are dead.
once upon a time i thought i would like to write screen plays…but then i got distracted by comics.
i just love a good conversation.

inez malstom

being the embodiment of earthly punishments
used to bother
inez malstrom
but now she gets a slight high
just thinking of it
a case of the giggles even
sometimes
she thinks it would be nice
for once
to be an earthly reward…
but that is probably reserved for someone named
jillian.

i have written so many beginnings to stories. you never know. i might finish it…turn it into a comic, a short story, or even a novel, but for now it lives as a journal page.

i think i recently read in a book a quote by a poet to the effect of: i write instead of screaming
for the life of me i cannot access where i read this. i have been reading a lot of books lately.
nevertheless–this is true for me. my writing & my art are what i do to keep from losing my mind. so i take these dark little thoughts and try to make something beautiful (?) out of them…or at least something interesting.

hot off the press!

as of today you can buy my book tangled together from a few different places!
this is a collection of short stories and flash fiction i have been writing over the past thirty-ish years.
the stories range from dark to quirky (sometimes both) and are a good reflection of just how my mind works as well as sometimes being more memoir than fiction being that i often use my writing to exorcise those pesky demons.
also! pictures!! i did an inking per story.


if you want an autographed copy, message me (quixoticmama@gmail.com)…otherwise! pick a vendor 🙂

lulu

barnes & noble

amazon

kindle

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