i’m in a piss-ass mood…
ironically…”don’t worry, be happy” is playing on my radio.
but we all know how that ended….
i texted dusty today to let him know i think is a terrible idea for us to live together again in any context.
so then he called…and i said i was busy…and he said “please, please, please” and i said, “no.” but he kept insisting i talk to him.
so i got on the goddamned phone and told him he needs to start taking responsibility for his shit. that i am tired of rescuing him. that he needs to stop taking the easy route and start actually working for a future instead of fantasizing about one.
i’m just so fucking desperate that sometimes dusty seems like a good idea.
so fucking desperate….
and still my inktobers are getting lukewarm receptions.
so i’m just doing whatever the fuck because no one seems to notice either way.
the story of my life
if you think about it
i will be doing some dark & depressing memoir bullshit comics….
today is another experiment with white on gray tone paper. it was kind of a quick one. darker & weirder than yesterday’s super happy one that provoked thoughts of beatrix potter and disney. maybe an antidote to the sweet of yesterday’s ink.
today’s is kind of sparse…but it felt done. so i let it be instead of trying to fill up negative space.
so! now that people are asking for originals (only a couple so far, but i’m hoping it will become a trend) i am having to learn how to price my stuff. from a book about selling art online, i was given the advice today that if you are not a little bit uncomfortable with the price you are asking–you probably are under-pricing your art. that made sense to me, as i’m sure it does to many other artists. so that is going to be my major tell. i am going to imagine asking for prices and see where my comfort zone is–and then push it.
also! in learning to value myself & my art, i am going to have to invest in more good paper. yesterday’s was done on watercolor paper whereas today’s was done on lighter weight paper. when i use the pad i used for yesterday’s, my work is almost always of a better quality. the stain works better & the paper holds the ink better. the mixed media & sketch ones i like to goof off in do not translate as well. which is fine, until someone wants to buy one & i am all like, “well, the paper is crap.” so i really need to invest in more of the good stuff. though i do like how the ink messes with the weaker paper. i would probably mount/back the lighter paper with thicker paper or mat. i did that today with one that was done in my journal, “jar of hearts.” i removed it from my journal and affixed it to a heavier piece of colored paper.
because that journal paper is so thin, there is some noticeable glue marks however. fortunately, the buyer was okay with it. i need to play around more and figure the best way to do this. make sure i can present my art in a marketable & professional-ish way.
i have a lot of stuff on mediocre paper. but i think the art is good even if the paper sucks. so i think i will just price them accordingly.
i can do this. this is not scary. i can do this. this is not scary. i can do this.